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Autor: KaM©

~ 13/08/17

“Serendipity (6)” series ©2017 Red Balloon Studio

Taking a direct page from Andrew Warhola and bringing back the famous ‘blotted line’ that made him famous on Madison Avenue in the mid nineteen fifties.
And to add to that it didn’t hurt to take a trip to Serendipity III this summer to experience what he probably did a hundred times.
I loved the place so much that it inspired me to create these paintings specifically for Mr. Stephen Bruce’s approval the next time I visit which will be around or close to my birthday this September.
I was playing around with the idea of Automatism and the proverbial “Happy accident” which touches on what the Dada movement was based upon originally until artists like Salvador Dali reinterpreted it for his own gain.
So the spray can of paint has to be near empty to achieve the effect I stumbled across while figuring these works of art out?

Autor: KaM©

~ 30/07/17

Lévy Gorvy Gallery ‘Summer Block Party’ 2017.

East 57th Street & Madison Avenue New York City.

Nothing like New York City when your focused on what you want to acquire for your life & lifestyle.
I enjoy being there so much that each time I visit; I dream of finding the perfect home for my artworks and possibly myself?

Lately I’ve been skipping the Meat Packing District & Chelsea areas for the Upper East Side which I really enjoy! Some streets were made for walking and Madison Avenue is one of those streets that I feel right at home.

I remember the days when I had a membership to the Whitney and traveled this familiar route to the museum and hang out there for whatever reason?
Now that I have gotten strong enough to visit I make sure the trip is well worth the struggle I endure to have a good time while searching for new opportunities.

Autor: KaM©

~ 28/06/17

DoOver Specialist Vikki Watt and artist Karey Maurice @ Opera Gallery NYC.


While strolling to the Metropolitan Museum of Art’s Breuer building location formerly known as the Whitney Museum on Madison Avenue several months ago. I walked passed an art gallery that was displaying an early Keith Haring painting that caught my attention.
I thought to myself maybe? Maybe I could walk in and talk to someone there about my personal connection with Keith and hope for the best?
Well three months later I got an invitation to a fantastic opening reception for the artist exhibition of Bernard Buffett paintings. So I call up my partner in crime Vikki Watt and we go to explore the amazing collection this gallery has to offer.
To my surprise they rotate there artists and mix the exhibitions by peppering in a few highlights. For example this Keith Haring painting behind us is a good example of the diverse collection Opera Gallery has in their inventory because we were actually there for a Botero and Sequi exhibition that was just breathtaking.
I wish I could have signed a purchase order the minute I saw a couple of pieces on display.

Autor: KaM©

~ 17/06/17

Homage to Jean Michel BASQUIAT. By Karey Maurice aka KaM© 2017

I wanted to initially write an artsy article relating to this years Whitney Biennial and it’s controversial subject surrounding the ‘Black Lives Matter’ theme. But I allowed time to pass and see if there would be any action after outrage over the whole thing?

I basically choose to start creating something based on what I read because I knew I would not be able to see the exhibition in person. It was just a jump off point then the auction happened and I kept getting tagged on my #Facebook page about the record sale of my contemporary artist doppelgänger #JeanMichelBasquiat who he and my friend #KeithHaring continue to either inspire or haunt me at times because of the close relationships.I guess #BlackLivesMatter has been proven or at least the auction sale readdresses the question of representation and value?

Autor: KaM©

~ 07/05/17

Customized 8″ inch Kidrobot Dunnys by KaM© 2017


During the winter months I like to stay inside and work on projects that take some time to complete.

I move into a sculptor frame of mind and work on my favorite kind of 3D canvas called a Dunny platform designed by Tristan Eaton for the super hip designer toy company Kidrobot.

I use polymer clay and some modeling paste to create some of the personal characters that seem to create themselves because there is no preliminary skectches or drawing.

I leave them out for a while until an idea hits me then I begin to execute what it is I see in my minds eye.

Autor: KaM©

Just three days ago was the artist Keith Haring’s (59th) Birthday.
My blog post is to simply keep his memory fresh and alive! Many people have claimed to be influenced by him and many more have benefited from making such claims while they in broad daylight paint their version of ‘Street Art’ for the world to see.

That’s cool if you can get away with it and not get arrested.
Even Keith knew the job at hand was a risk so he made sure to have someone with him photographer Tseng Kwon Chi to document just about all of his activities and use the (one) arrest as a marketing tool to finally be Identified as the chalk using graffiti artist whose humanoid figures touched everyone who encountered them.

Keith Haring + KaM© customized Smurf character.

Autor: KaM©

~ 19/04/17

As the great Tupac Shakur once sang “I get around” even though it takes a great deal of effort. It just so happens that there was a break in the weather and it reached nearly 75 degrees on this day in early April.
I contacted my amazing personal stylist friend the “Do-Over Specialist” Victoria to accompany me to this somewhat controversial exhibition held on the 69th floor of one the World Trade Center buildings. The host of the evening was (WTG)World Trade Gallery est.1981 who curated the show selecting a grouping of artists who have an association with ‘Street Art’ which is no longer called ‘Graffiti’if you technically don’t use your tag in your paintings or reference Hanna Barbara characters.
Regardless of the reason the art was selected and the artists chosen I had a fantastic time just taking in the view from high above the city.
It was a night that only these photos do a small courtesy.

Artists KaM© And Do-Over Specialist Victoria Watznauer @4 World Trade Center New York.


‘Art Party’ on the 69th floor.
Photo: credit ©photoVW2017


Opening at 4 World Trade Center. Photo: photoVW©2017

Autor: KaM©

~ 08/04/17

Some people like to capitalize on the passing of an Iconic figure and have no problem collecting a check at the end of the day.
My intention of this post is only to shead some kind of light on a very unique situation I find myself in once again. Creating a work of art that nobody could ever do because of my intention in the beginning. And then the work of art becomes a sort of memorial to something or somebody?
I don’t know how this happens because I’m not thinking about anything finite about the subject?
I’m just as shocked as anybody who knew just how important Mr. O’Brian’s injection of Downtown Culture with Uptown panache was/is to New York City and beyond for those who read certain cultural magazines to find their own personal style within the pages.
I wish I were able to give you this painting the last time I saw you walking on Lafayette Street with a small boy in toe a few years back. (more…)

Autor: KaM©

~ 29/03/17

Home of the honest artist.

9/11 video @Red Balloon Studio
The producer of this video exposé just posted this to my Facebook page a few days ago. I am so grateful for this footage to now be viewed by the entire world.It illustrates the power I posses to predict certain events when I gather information through the media.

This creation no longer exists in its original state but I am so grateful that this film was created to preserve one of the greatest works of art I’ve ever produced.

Autor: KaM©

~ 25/02/17

Artist’s Phillip Pearlstein and painter Karey Maurice Counts.

Artist Karey Maurice with photographer Jon Naar.

When I started out dreaming about becoming an artist and being impressed upon by just about anything [successful] I thought was relative to the vision I had in mind.
There were a number things that influenced me outside the realm of painting and drawing but within it, I was drawn to the figure as form like most art students.

I had an Instructor whose paintings were a dead ringer for the school of Phillip Pearlstein (seated behind me.) which is a hyper realism rendered from photographs as I learned later in a gallery discussion last week from the man himself who is in his 90’s. The only difference between the two is this particular instructor worked from live models and a more reductive color palatte.

I would be a fool to ignore or not mention the influence of Hip Hop and Graffiti again with it’s focus on the body and identity but in a slightly different way.This urgent more impulsive art form is more physical in a real time sense. Not staged in a room or professional studio painted in sessions over a long period of time.

The man shown here in the second picture is Jon Naar also in his 90’s who happened to photograph these young artists in the mid to late 1970’s and give a face to the public art that was popping up everywhere on walls and also being done on subway trains in New York.

All three men have studied the human figure and what it is capable of under many different physical conditions capturing the moment just long enough to leave an impression on us.

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