Artist’s Phillip Pearlstein and painter Karey Maurice Counts.
Artist Karey Maurice with photographer Jon Naar.
When I started out dreaming about becoming an artist and being impressed upon by just about anything [successful] I thought was relative to the vision I had in mind.
There were a number things that influenced me outside the realm of painting and drawing but within it, I was drawn to the figure as form like most art students.
I had an Instructor whose paintings were a dead ringer for the school of Phillip Pearlstein (seated behind me.) which is a hyper realism rendered from photographs as I learned later in a gallery discussion last week from the man himself who is in his 90’s. The only difference between the two is this particular instructor worked from live models and a more reductive color palatte.
I would be a fool to ignore or not mention the influence of Hip Hop and Graffiti again with it’s focus on the body and identity but in a slightly different way.This urgent more impulsive art form is more physical in a real time sense. Not staged in a room or professional studio painted in sessions over a long period of time.
The man shown here in the second picture is Jon Naar also in his 90’s who happened to photograph these young artists in the mid to late 1970’s and give a face to the public art that was popping up everywhere on walls and also being done on subway trains in New York.
All three men have studied the human figure and what it is capable of under many different physical conditions capturing the moment just long enough to leave an impression on us.