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Autor: KaM©

~ 18/09/17

Kara Walker the fly on the wall. @ Sikkema Jenkins& Co. New York

I’m always curious about what drives artists and the galleries that represent their work?
This article published about Kara Walker’s latest exhibition now on view at Sikkema Jenkins & Co. emblazoned on the front cover of probably one of the last printed editions of the VILLAGE VOICE reminds me of another cover published in the mid 1980’s.
The cover illustration was a painting by the late Jean Michel Basquiat depicting a human skull,done in his signature oil stick & acrylic paint.
I don’t remember the complete essay written by Greg Tate but I sure remember the title: “The Flyboy in Buttermilk”
Which totally implied the fact that the art business had singled out a particular African American artist who like Kara Walker addresses the lack of inclusion and expresses an urgency to the racial injustice not only in politics but simple dollars & cents money making.

Because of a pre exhibition Press release statement published by Kara Walker which prepared the audience for an experience I had to follow suit and see this exhibition for myself.
My take on the whole show was that it was well planned out in terms of the feeling you got when you walked into the gallery space. I arrived during the last forty five minutes and it was mobbed with all kinds of people from all walks of ethnicity and economic backgrounds.
The heat you felt from the full capacity crowd in my opinion was not only from body heat but a strategic plan to turn the heat on and serve no refreshments so you felt the real South and oppressive conditions the artwork demanded. (It worked for me.)

U.S.A. Idioms ©2017 Kara Walker


I loved what I saw in terms of attendance which is really interesting if you consider what was being viewed and what would this show actually does to the consciousness of all the people who interact with the paintings.
My hope is that the success of the show will open doors for other artists and really bridge some gaps in the business of commodifying cultural expression from all walks of life.

Autor: KaM©

~ 09/10/10

Is it me? Am I not getting the picture? Why is it that every cultural institution in America namely the ones in the title of this article showcase art & artifacts by caucasian people solely as if African Americans don’t exsist or posess the same ability of artistic creative expression? Sure there are a few that have risen to the presteige of being exhibited in galleries and museums but most of them posthumously and they never really saw any personal success while they lived.And yet the artifacts of our ancestors from Egypt,the bush of Africa,Native America,Austraila,Oceana and god knows where else is kept quite vividly on display in museums around the world.
It seems that there is some kind of disconnect between the ancient African people and modern post slave African Americans that nobody wants to address.
I agree that education or lack thereof plays a big part in this phenomenon after all, African Americans were not able to freely express themselves legally until 1863 and probably were not exposed to art until fifty years after that.
So there’s quite a bit of a head start as far as culture is concerned but we live in a technological enviorment and are exposed to the same information as everyone else now so, there’s really no excuse unless you want to argue about subject matter aesthetics and tastes which are personal choices.I often wonder from a anthropological standpoint that if African Americans were to somehow become extinct today,what would be left behind for future cultures to examine and study about us? What kind of artifacts will be on display to represent our culture?We already got the singing & dancing and music down packed but there’s much more.
Let us here from Dr.Cornell West who in this video explains how important art and the arts are to our very nature as a society and then,you tell me what time it is…O.K.