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Autor: KaM©

~ 25/02/17

Artist’s Phillip Pearlstein and painter Karey Maurice Counts.

Artist Karey Maurice with photographer Jon Naar.

When I started out dreaming about becoming an artist and being impressed upon by just about anything [successful] I thought was relative to the vision I had in mind.
There were a number things that influenced me outside the realm of painting and drawing but within it, I was drawn to the figure as form like most art students.

I had an Instructor whose paintings were a dead ringer for the school of Phillip Pearlstein (seated behind me.) which is a hyper realism rendered from photographs as I learned later in a gallery discussion last week from the man himself who is in his 90’s. The only difference between the two is this particular instructor worked from live models and a more reductive color palatte.

I would be a fool to ignore or not mention the influence of Hip Hop and Graffiti again with it’s focus on the body and identity but in a slightly different way.This urgent more impulsive art form is more physical in a real time sense. Not staged in a room or professional studio painted in sessions over a long period of time.

The man shown here in the second picture is Jon Naar also in his 90’s who happened to photograph these young artists in the mid to late 1970’s and give a face to the public art that was popping up everywhere on walls and also being done on subway trains in New York.

All three men have studied the human figure and what it is capable of under many different physical conditions capturing the moment just long enough to leave an impression on us.

Autor: KaM©

~ 06/09/11

Shepard Fairey in front of his now iconic Barack Obama poster.

Last month the Atlantic Wire reported that Shepard Fairey had been attacked in Denmark after the opening of  his exhibition there and the angry mob shouted “Obama illuninati” (whatever that means) as they clocked the graphic artist with right hooks.

When I first heard about the incident I almost jumped for joy for reasons associated with the white washing of real urban street culture  which Fairey along with a slew of other graphic artist have benefitted tremendously over the past two decades creating a subsidiary of the original graffiti genre that included “Hip Hop” music and circle break dancing, is now called “Street Art” where it is marketed exclusively in the media and supported by new contemporary art galleries around the world.

In an Interview I did together with photographer Jon Naar (Faith Of Graffiti) at this years Jersey Fresh Graffiti Jam @ TerraCycle®  in Trenton,NJ last month he pointed out that the movement has lost its sense of messaging (the pretext to text messaging if you will) or communicating to other fellow artist or friends in other parts of the city via subway trains & stations. Now its just painting images and filling up wall space with almost pure graphic images with the occasional social political statement.To me that is no different than the large billboard advertisements you see all over the place selling you a bag of potato chips or a hooker wearing your favorite colors as she walks down the street.

What I don’t get about these people who place stickers & posters all over the place is the fact that they are not selling anything so it seems, and then their messages and images are wack and so personalized, or worse, borrowed; that its just once again,advertisement. The difference is that these images are now transformed into products instantly and marketed to people who don’t live on the very streets they deface making it more visually obvious that there is some neglect or disrespect for the area there’re putting their garbage up and its usually called the ghetto or hood by the masses and the whole issue of exploitation for profit comes to mind.

Autor: KaM©

~ 30/08/11

Jersey Fresh Graffiti Jam @ TerraCycle courtyard Trenton, Nj

A few

A few weeks ago now I participated in Leon Rainbow’s massive graffiti writers jam right in my old home town of Trenton New Jersey where I now find myself on the outside now looking in.
I ran into my friends Jim Gordon and famous photographer Jon Naar who was interviewed along with myself by a documentarian from Brooklyn New York. I was told the interview runs for about fifteen minutes and discusses quite candidly the new street art movement that has overshadowed somewhat the original graffiti movement that originated back in the late 1960’s as a form of communication between urban communities.
I give Mr. Rainbow a lot of credit for keeping the passion of art alive and bringing it to the public (well sorta) so all can enjoy especially the children of the once booming industrial town that now yearns to establish a new identity for itself going into the twenty first century.
I wish I could capture the entire mood of the day in one photograph but that would be impossible given the scale of this event and its multi- sectional locations where painters painted their asses off and some local and transported rappers did their thing in the loading dock of the building.What a great day to be an artist and express yourself without worrying about getting caught.

Autor: admin

~ 02/04/07


Now it would be to long of an entry if I expain how I met the author/photographer Jon Naar,who,Is I’m proud to say, my friend.He is from an era long before my exsistence and is a living Icon,who happens to live just a short walk from the studio.
We meet every saturday morning at Cafe Ole,Trenton,Nj for his salon de Naar where a small group of artists and intellectual people gather under his cloak of success!
The subject of this book is something that I quite naturally gravitate towards because it is documentation of my generation, when making your mark in life was done first by developing a signature.Then from there you took it to the streets to try it out on the public,just like a fashion designer sends his best creation,on his best model,down the runway last.
There are lots of publications out there now that go into explaining the Hip Hop and Graffiti movement but this is the guy who gave it a presence and an awareness before the music that, supports it now does today.Without Jon’s documentation(photographs) and Norman Mailer’s words in their co-authored book “The Faith of Graffiti” there would have been no reason for Sidney Janis to collect the artwork of the artist who produced it.
Whats really amazing is that Jon Naar has one of the most famous pictures of Andy Warhol in the world along with other notable celebrities, and I find this all quite wonderful to know such a great important person,and,I have my own history thats very related, being told in the most interestingly indirect way.I often feel like a ghost in my own present exsistence and I hope that I don’t have to die in order to be of the living.That would really suck!!RedSaid